Thursday, 14 July 2016

Anger

He dropped it. I told him not to and he dropped it. It’s on the floor now. Smashed. He’s just looking at me.

I feel it. Someone’s fingers have lit a match in my brain and it’s hot. Not birthday-candle, peachy flames but white. Blinding. Like a circuit, it’s speeding around the neurons; like a train with no brakes.
My arms go first. The hair is singeing, the white-hot train spewing white-hot liquid. My fists are clenching with the pressure in my veins. My nails are drawing blood.
There are two circuits: the one now plummeting around my body and one encircling my chest. It’s teasing my heart, telling it to shut up. You shut up. But the white-hot mess is louder than my head.
My knee joints have melted under the train’s heat and are now two iron trunks, waiting to be wielded. Even my toes are prickling with metal, leaking into the muscles: they’re all interconnected springs, perched for the train’s arrival.
It’s all over my body. My head is mute, silently screaming, unheard over the white-hot train’s whistle. It’s in control. I’m not.

What I do next is not because I see red; I see white.




Written from the creative writing class stimulus of 'write about an emotion, without stating what it is'.

Tuesday, 5 July 2016

Miss. Quainton

After studying Philip Larkin poetry in creative writing these last few weeks, I've been slowly creating my own depressing, 'movement' poems. This one was inspired by 'Mr. Bleaney' and what topic could be more crisis-conjuring than death? (However, if you need a little cheer-up afterwards, Larkin's 'First Sight' is actually teetering on the verge of positive - who knew he had it in him!)



What will happen to me when I die?
There's a bold rhetoric to voice aloud
After being taken from where I lie
And my body is safely beneath ground

Will my scarf, knitted for when I turned three
Linger beneath empty socks in a drawer?
Or be rediscovered in a charity
Shop, rebirthed - incarnated as a shawl?

Will my novels preserve like artefacts?
Provoke ethical outcry from strangers
Titbits of youth, cello-taped at the cracks
Naïve to the futuristic dangers

Or, will my belongings just melt away?
Dormant - regardless of calendar dates
A physical sum of my waking days
As my body awaits its subjective fate